Glass Bonding Technology

The Poetry of Light and Color

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Glass Bonding TechnologyGlass Bonding Technology


The Poetry of Light and Color

Glass is one of the oldest materials in use. The interplay of glass, light and color continues to inspire architects, craftsmen and artists alike. WACKER’s silicone adhesive systems give them virtually unlimited creative scope.
Glassmaker Hans Gamm blows the molten glass into a hollow ball.
“Transparency and the interplay of glass, light and color continually fascinate me,” says Tina Jacobs, an artist from Bremen, northern Germany.
She works with glass and recently took part with other north German glass artists in an event organized by the Lamberts glassworks (based in the Upper Palatinate region of Bavaria). The company makes hand-blown flat glass by the traditional method.
Tina Jacobs’ skylight strip consists of four layers: a glass substrate, then crackled glass onto which colored glass fragments have been stuck, followed by arches of opal glass.
Glassmaking requires simple ingredients, namely silica sand, soda ash and limestone. These are mixed and then melted at 1,500 degrees Celsius to make basic glass.
Various metal oxides can be added to the molten glass to color it. Lamberts is renowned worldwide for its ability to produce glass in 5,000 different shades of color.
SilGel® 612 is pourable and easy to use.
Artistic glasswork, basically stained glass and leaded glass, reached the height of its popularity in the Middle Ages. In the 20th century, it was rediscovered by the famous American architect, Frank Lloyd Wright.
Since then, stained and leaded glass has enjoyed a renaissance in Europe. No longer confined to churches, it is now found in representative public buildings, exhibition spaces, clinics and airports.
Carefully laying pieces of colored glass onto the glass substrate.

Adhesive Bonding Today

Adhesive bonding has opened up new creative possibilities. “WACKER’s silicone adhesive systems work very well,” explains Jürgen Reisländer, in charge of marketing and sales at Lamberts.
“Silicones are transparent and not immediately obvious. Nor do they yellow – an absolute necessity for outdoor use.”
To introduce others to these bonding techniques, Reisländer regularly holds events and exhibitions for artists who work with glass. “Art glass isn’t just for large representative public buildings,” he insists. “It has a place in people’s homes. For example, it can be used to good effect as stained-glass windows, doors, screens or partition walls. Adhesive bonding opens up countless possibilities.”
Dr. Klaus Pohmer, sales manager at DRAWIN Vertriebs-GmbH, adds with a grin, “Glass and silicones are chemically speaking very similar. It’s obvious they belong together – like sand and soda, light and color.”

Glass – A Solidified Liquid

The basic recipe for glass is surprisingly simple. Finely ground silica sand (silicon dioxide), soda ash (sodium carbonate) and limestone (calcium carbonate) are mixed together and melted at temperatures above 1,400 degrees Celsius. Under the influence of heat, the carbonates are converted to oxides and carbon dioxide is liberated. As the melt cools it becomes increasingly viscous and ultimately solidifies without crystallizing.

Glass experts call this a “supercooled melt.” The formulation of special types of glass requires other substances such as potash (potassium carbonate, obtained from plant ashes in the past) uranium oxide or lead oxide.

The exceptionally heat-resistant quartz glass, for example, consists of pure silicon dioxide. Lead crystal has a particularly high proportion of lead oxide. Its luminosity is due to strong light refraction, which can be intensified by special polishing (cut glass). Rhinestone is especially rich in lead and sparkles like a diamond if well cut. That’s why this type of glass is used in the jewelry trade. Colored glass is made by adding small amounts of metal oxide to the molten glass.

Cobalt is used for blue, nickel for violet, chromium and uranium for green. Depending on their valency states, copper gives a red or green glass, iron a green or reddish-brown glass. Colloidal (i.e. finely dispersed) gold is used to obtain the vibrant red of gold ruby glass. Colloidal silver gives yellow.

Glass was already in use in Asia Minor 4,000 years ago. The Romans studied the technique and brought it back to Europe. The glass manufacturing process remained more or less unchanged right up to modern times. Glass foundries were located in densely forested regions that provided an unlimited supply of fuel for melting the raw materials, such as Germany’s Upper Palatinate, Lower Bavaria, Black Forest and Spessart regions.

DRAWIN In Touch with the Customer

The DRAWIN sales company was founded in 1987 to flexibly and reliably respond to customer requests for silicone products. DRAWIN is a distributor specialized in moldmaking, coating, sealing, bonding and encapsulation products (industrial solutions).

DRAWIN sells silicones in small quantities and will also fill special packaging for its customers. Sales manager Dr. Klaus Pohmer explains: “We supply the right silicone for every type of application in any kind of packaging the customer requests.” The fully owned WACKER subsidiary is based in Ottobrunn, near Munich.